Keith Urban has reportedly moved in with a new girlfriend just weeks after finalizing his high-profile divorce from Nicole Kidman, according to explosive reports that have sent shockwaves through Nashville and Hollywood. The 58-year-old country superstar, fresh off a 19-year marriage that once symbolized cross-continental glamour and enduring love, is said to be in a serious relationship with rising country singer Karley Scott Collins, 26. Insiders claim the pair are already cohabiting, turning Urban’s Nashville estate into a new chapter of romance amid whispers of a raw breakup album in the works. While representatives for both artists have stayed silent on the speculation—and Collins herself has publicly shot down the rumors as “absolutely ridiculous and untrue”—the timing has ignited fierce debate: Is this a genuine rebound or a calculated pivot? And how does it sit with the teenage daughters who appear to be firmly in their mother’s corner?
The divorce itself wrapped quietly but decisively earlier this month in a Nashville courtroom. Court records from Davidson County, Tennessee, show the dissolution was entered on January 6, 2026, concluding nearly two decades of marriage. The settlement was remarkably amicable on paper: both waived spousal and child support, and assets were divided without the fireworks that often accompany celebrity splits. Kidman, also 58, retained primary physical custody of their daughters, Sunday Rose, 17, and Faith Margaret, 15. Urban secured visitation every other weekend—a schedule that amounts to roughly 59 days per year with the girls, leaving the bulk of parenting in Kidman’s hands. No prenup drama surfaced, a stark contrast to Kidman’s contentious 2001 split from Tom Cruise, where Scientology and custody battles dominated headlines.
Sources close to the couple insist the end was mutual but painful. A Page Six insider revealed in September 2025, when the separation first leaked, that “sometimes relationships just run their course.” Yet the same source emphasized Kidman’s reluctance: “Nicole did not want the separation and was trying to save things.” Urban, known for his introspective songwriting, has channeled the fallout into music. He’s holed up in Nashville’s Music Row, renovating a state-of-the-art studio while crafting what insiders describe as a deeply personal breakup album. “It’s going to be uncomfortable,” one confidant told reporters. “Keith’s retelling the unraveling of their love story, warts and all—raw heartbreak anthems with that signature country soul.” Tracks rumored to explore themes of loss, regret, and renewal could make the project his most vulnerable since “Ripcord” in 2016.

Into this emotional landscape steps Karley Scott Collins, the 26-year-old Georgia native whose star is rising fast in Nashville. Signed to Sony Music Nashville, Collins has built a following with her blend of powerhouse vocals and authentic storytelling. Songs like “Boys in Trucks,” “Heavenly,” and “Quit You” showcase her range—sultry ballads mixed with upbeat anthems that draw comparisons to Kelsea Ballerini and early Carrie Underwood. She opened for Urban on his 2025 High and Alive World Tour, sharing stages and undoubtedly spending long hours on buses and in green rooms. Professional proximity, insiders stress, is the likely origin of any connection—no evidence suggests an affair overlapped with Urban’s marriage.
Yet the speculation exploded when the Daily Mail reported “everyone is adamant” that Urban is involved with someone new and that it’s “serious.” The same source added: “People think they are even living together.” Urban’s Nashville property—a sprawling estate with recording facilities, horse stables, and sweeping views of the Cumberland River—has allegedly become their shared space. Picture it: Urban strumming acoustic demos by the fireplace, Collins adding harmonies, the house once filled with family life now echoing a fresh start. The 32-year age gap has only amplified the chatter, drawing inevitable comparisons to other country music May-December romances and Hollywood’s long tradition of such pairings.
Collins wasted no time addressing the frenzy. On January 18, 2026, she took to her Instagram Stories, screenshotting a headline that read “Keith Urban moved in with GF Karley Scott Collins? Fresh speculation amid divorce.” Overlaid with a crying-laughing emoji, her caption was blunt: “Y’all, this is absolutely RIDICULOUS and untrue.” The denial was swift and emphatic, putting the brakes on the rumor mill—at least temporarily. Reps for both Urban and Collins declined comment when reached by multiple outlets, leaving the public to parse every social media post and sighting for clues.
The family dynamics add the most poignant layer to this saga. Since the split, Kidman’s Instagram—typically reserved—has become a gallery of mother-daughter bonding. Photos show the trio arm-in-arm in Paris’s chic streets, beaming on Sydney beaches, and even participating in a Thanksgiving “turkey trot” race. “It’s unusual for Nicole; she’s always been more private,” a source observed. “But now it’s like ‘us against the world’—linking arms, holding hands.” Sunday and Faith, both navigating their teens with creative aspirations (Sunday in modeling, Faith dabbling in music), have been vocal in their support for Mom. Captions like “My queen” and “Forever team Mom” leave little doubt where their loyalties lie in the public eye.
A source told the Daily Mail the shift is tied directly to Urban’s new chapter: “I hear he has someone, which is why the girls are publicly supporting Mom… Teen girls love their dads, so there’s a reason they’re making it three against one.” Urban’s limited visitation—every other weekend—feels stark against Kidman’s near-constant presence in their lives. The daughters’ public displays of unity could be a quiet statement, a way to protect their mother amid swirling rumors.
Urban and Kidman’s love story once seemed unbreakable. They met at a 2005 G’Day LA event, married in Sydney in 2006, and built a blended family that included Kidman’s children from her Cruise marriage, Isabella and Connor. Urban battled addiction early on, crediting Kidman with his sobriety: “She saved me,” he said repeatedly. They weathered tabloid storms, career demands, and long-distance stretches with apparent grace. Kidman’s Oscar-winning career (“The Hours,” “Moulin Rouge!”) and Urban’s chart-topping albums coexisted in a high-profile but grounded partnership. Fans adored their red-carpet chemistry, their joint philanthropy, and the way they balanced fame with family.
The unraveling, insiders say, was gradual. By 2024, Kidman’s intense filming schedule (“Babygirl,” “The Perfect Couple”) clashed with Urban’s touring for “High.” They lived apart for stretches, and by summer 2025, the separation was official. No dramatic blowups—just a quiet drift. Yet the speed of Urban’s alleged new romance has stunned observers. Moving in so soon after divorce papers were signed raises questions about emotional processing, especially with teenage daughters involved.
Collins’s career trajectory adds intrigue. At 26, she’s on the cusp of breakout success, her tour-opening slot with Urban providing invaluable exposure. A romantic link—real or rumored—could turbocharge her visibility or complicate it if backlash follows. Her clean image and relatable lyrics resonate with younger fans; any association with a high-profile divorce risks alienating them.

Broader implications ripple through the industry. Country music thrives on authentic heartbreak narratives—think Johnny Cash and June Carter, or modern tales like Kacey Musgraves’s post-divorce “Golden Hour.” Urban’s upcoming album could capitalize on that tradition, turning personal pain into platinum. But if the material veers too confessional, it might reopen wounds for Kidman and the kids.
Kidman, ever resilient, continues thriving. Fresh off awards buzz for “Babygirl” and upcoming projects, she exudes poise at events, daughters often by her side. Her silence on the rumors speaks volumes—classy restraint amid chaos.
As Nashville’s rumor mill churns, one thing is clear: Urban’s next act is unfolding in real time. Whether Collins is truly the new chapter or merely a misreported footnote, the story captivates. Love lost, love found, family fractured, music reborn—it’s the stuff of great country songs. And in this case, the song is still being written.
The divorce settlement details reveal pragmatism: no alimony battles, no asset wars beyond standard division. Urban keeps the Nashville compound (now allegedly shared), Kidman retains Sydney properties. Custody logistics favor stability for the girls—school in Nashville or LA, depending on schedules.
Urban’s sobriety remains a cornerstone. Post-rehab in 2006, he rebuilt with Kidman’s support. Now solo, any new relationship invites scrutiny: Does it support his recovery? Collins’s wholesome persona suggests compatibility, but the age gap fuels debate.
Collins’s denial was categorical, but rumors persist. Fans dissect her posts—a Nashville guitar selfie captioned “New beginnings”—for subtext. Her talent is undeniable; a collaboration (professional or otherwise) could launch her stratospherically.
Kidman’s public pivot to “team Mom” feels protective, a shield for her daughters amid speculation. Sunday and Faith’s social media tributes reinforce that bond.
This saga grips because it’s universal: the ache of ending, the thrill of beginning, the messiness in between. Urban strums forward, Collins harmonizes (or doesn’t), Kidman endures. Nashville watches, waiting for the next verse.













