Nearly ten years after the original The Last Witch Hunter crashed with critics but quietly built a dedicated following, Vin Diesel has officially confirmed he is returning for the sequel. The announcement, made during a casual fan Q&A on his Instagram Live in late January 2026, has reignited interest in a project many had long written off as dead.
The first film, released in October 2015, arrived with high expectations. Directed by Breck Eisner and produced by Summit Entertainment (the Twilight studio), it positioned Diesel as the lead in a high-concept supernatural action-fantasy. He played Kaulder, an immortal witch hunter cursed with eternal life after killing the Witch Queen in the Middle Ages. In modern-day New York, a new threat emerges when the Queen’s followers attempt to resurrect her, forcing Kaulder to team up with a young witch (Rose Leslie) and a skeptical priest (Michael Caine) to stop the apocalypse.
Despite a respectable $147 million worldwide gross on a $90–120 million budget, the movie was savaged by critics, earning a dismal 18% on Rotten Tomatoes. Reviews called it “overstuffed,” “generic,” “visually busy but narratively empty,” and “a missed opportunity for Diesel to step outside his action-hero comfort zone.” Audiences were kinder (a 37% audience score and a B- CinemaScore), but the film still disappeared quickly from theaters.
Yet it never truly died.
Over the next decade The Last Witch Hunter found a second life on streaming platforms, cable reruns, and home-video sales. A vocal cult fanbase emerged on Reddit, YouTube, and TikTok, praising Diesel’s stoic charisma, the gothic-modern visual style, the practical creature effects, and the film’s unapologetic commitment to its own mythology. Clips of Kaulder’s sword fights, the Witch Queen’s throne-room monologue, and the final battle in a flooded cathedral have circulated endlessly, often captioned “underrated gem” or “needs a sequel.” Diesel himself has fed the fire for years, responding to fan comments with cryptic emojis, “working on it” replies, and occasional behind-the-scenes photos from potential script readings.

Now the wait appears to be over.
In the January 2026 Instagram Live, Diesel addressed the question head-on after a fan asked for the hundredth time: “Yes. It’s happening. The Last Witch Hunter 2 is real. We’re moving forward.” He did not reveal a director, writer, co-stars, or release date, but he did drop a few tantalizing hints:
The story picks up “many years later” with Kaulder still immortal and still hunting.
The sequel will be “darker” and “more personal,” exploring the psychological toll of centuries of life and loss.
Diesel has been “quietly developing” the project for the last five years, working with writers who understand the original’s tone.
The budget will be “significantly higher” than the first film, allowing for larger-scale action and more ambitious world-building.
The announcement was met with a mix of excitement and cautious optimism. Long-time supporters flooded the comments with fire emojis, “LET’S GO,” and memes of Kaulder’s iconic sword swing. Skeptics pointed to the original’s critical drubbing and questioned whether a sequel could overcome the same narrative issues. But the sheer persistence of the fan demand appears to have convinced both Diesel and the studio (now Lionsgate, which acquired the rights in 2024) that there is enough appetite to justify another swing.
The original film’s cult status can be attributed to several factors. Diesel’s performance, while not universally loved, has a certain magnetic stillness — he plays Kaulder as a weary, almost tragic figure rather than a quippy action hero. The world-building, though underdeveloped, had intriguing ideas: witches who use magic like a drug, a secret war hidden beneath modern cities, and an immortal hunter cursed to live forever while everyone he loves dies. The visual effects, especially the Witch Queen’s throne room and the flooded cathedral finale, still hold up remarkably well on rewatch. And perhaps most importantly, the movie never pretended to be high art — it delivered exactly what its title promised: a brooding, sword-swinging witch hunter in a leather coat fighting supernatural evil in contemporary New York.
The sequel will reportedly address many of the original’s criticisms. Early reports suggest a tighter script focused on character rather than lore overload, a stronger antagonist (rumored to be a witch who was once Kaulder’s ally), and a deeper exploration of immortality’s psychological cost. Diesel has hinted that the film will feel “more intimate” in its action sequences, relying on practical stunt work and grounded choreography rather than CGI spectacle.
No director has been officially attached yet, though Breck Eisner’s name has been mentioned as a possibility for continuity. Lionsgate is said to be courting a filmmaker with a track record in character-driven action (names like Chad Stahelski and David Leitch have surfaced in rumors). The budget is expected to land in the $120–150 million range, reflecting both the higher expectations and the desire to deliver larger-scale set pieces.
For Diesel, the project is personal. He has repeatedly called the original film “one of the most misunderstood movies of my career” and expressed frustration that critics dismissed it without appreciating its tone and intent. A sequel offers redemption — a chance to finish the story on his own terms, with a bigger canvas and a more mature perspective.
For fans, the news is vindication. The original may have flopped critically, but it never stopped being loved by the people who actually watched it multiple times. They have kept the flame alive through memes, fan art, cosplay, and endless “deserves a sequel” posts. Now that sequel is real — and it arrives at a moment when audiences are hungry for mid-budget, star-driven action-fantasy that doesn’t rely on franchise IP or endless sequels.
Whether The Last Witch Hunter 2 can convert the cult into a mainstream hit remains to be seen. But one thing is already clear: Vin Diesel is not done hunting witches, and the fans who waited nearly a decade are ready to ride with him again.
The immortal witch hunter is back — sword in hand, cloak billowing, ready to remind the world why some stories refuse to die.















