The salty spray of the South China Sea, the roar of cannon fire, and the shadow of British colonial might—Netflix has plunged viewers into the heart of 19th-century Borneo with Sandokan: The Pirate Prince, an eight-episode epic that reimagines Emilio Salgari’s legendary pirate tales for a modern audience. Premiering globally on January 19, 2026, after a successful Italian run on Rai 1 in December 2025, the series has quickly climbed streaming charts, captivating fans with its blend of high-seas action, forbidden romance, and ruthless political intrigue. This isn’t mere nostalgia for the 1976 cult classic; it’s a bold, restrained reinvention that trades flashy swashbuckling for emotional depth, brutal realism, and characters whose every choice leaves lasting scars.
At the center stands Can Yaman as Sandokan, the fierce “Tiger of Malaysia,” a Dayak pirate captain leading a ragtag international crew from the hidden island of Mompracem. Yaman, the Turkish superstar known for romantic dramas like Erkenci Kuş, underwent intense physical training to embody the role—his first major English-language project. Sandokan sails not for gold alone but to protect the indigenous Dayak people from the British Empire’s relentless exploitation of their ancestral lands for resources like gold and spices. His crew, including loyal Portuguese right-hand man Yanez de Gomera (Alessandro Preziosi), operates as rebels in a world where colonial rule crushes native traditions under the weight of Victorian “civilization.”
The story ignites when Sandokan boards a British cargo ship and frees a mysterious prisoner who believes him to be a prophesied warrior destined to liberate the oppressed. This encounter pulls Sandokan into a larger fight. On the island of Labuan, home to the British consulate, he crosses paths with Lady Marianna Guillonk (Alanah Bloor), the “Pearl of Labuan”—beautiful, independent, and stifled by strict societal norms. Marianna rejects wealthy suitors, yearning for adventure she cannot openly claim. Their meeting sparks an impossible love: two kindred spirits bound by a shared hunger for freedom, yet divided by empire and duty.
Complicating the passion is Lord James Brooke (Ed Westwick), the fanatical pirate hunter and self-proclaimed “White Rajah” of Sarawak. Westwick, forever etched in pop culture as Gossip Girl’s scheming Chuck Bass, delivers a chilling performance here—his darkest role yet. Brooke is no cartoon villain; he’s a calculating imperialist whose pursuit of Sandokan is as much about career advancement as romance. As Marianna’s intended, he sees marriage as a strategic move to solidify power. The love triangle crackles with tension: Sandokan’s raw charisma clashes with Brooke’s cold ambition, turning personal desire into a proxy for colonial conquest.
Supporting the core trio are standout turns from John Hannah as Sergeant Murray, Brooke’s steadfast ally; Owen Teale as Anthony, Lord Guillonk (Marianna’s father); and Lucy Gaskell in key supporting roles. The international cast—blending Turkish, British, Italian, and Australian talent—reflects the series’ global scope, produced by Italy’s Lux Vide (behind Medici and Leonardo) in collaboration with Rai Fiction. Directors Jan Maria Michelini and Nicola Abbatangelo guide the action with sweeping cinematography: emerald jungles, stormy seas, tiger hunts, and cannon duels filmed across southern Italy and other locations, capturing Borneo’s wild beauty while underscoring colonial brutality.
Showrunner Scott Rosenbaum (The Shield, Chuck) modernizes Salgari’s adventures without losing their spirit. The series explores themes of identity, resistance, and the cost of freedom—Sandokan starts as a carefree pirate living day by day but gradually discovers his destiny as a leader. Marianna must navigate Victorian constraints and her own desires, while Brooke’s obsession reveals vulnerabilities beneath his ruthless facade. Battles thrill with practical effects and authentic period detail, but the real grip comes from quieter moments: whispered betrayals, stolen glances, and the slow erosion of control as characters confront their scars.
The production spares no expense. Lux Vide’s high-budget approach delivers breathtaking visuals—storm-tossed ships, torch-lit raids, and lavish consulate balls—while the musical score, including a cover of the iconic 1976 theme by Oliver Onions performed by Calibro 35, evokes nostalgia without relying on it. The show’s restrained tone avoids over-the-top spectacle, focusing instead on emotional stakes: love as rebellion, loyalty tested by empire, and the personal toll of resistance.
Fans have binged the full season, praising its addictive pacing—one episode bleeds into the next, building to a crescendo of high-seas clashes and heart-wrenching choices. Social media buzzes with reactions: “Ed Westwick as the villain is terrifyingly good—forget Chuck Bass, this is his darkest hour.” Others highlight Yaman’s physicality and charisma, calling him “the perfect Tiger of Malaysia.” The romance between Sandokan and Marianna draws comparisons to classic forbidden loves, while the anti-colonial themes resonate in today’s conversations about exploitation and resistance.
Critics and viewers alike note the series’ maturity: battles are thrilling but grounded in consequences, romance is passionate yet fraught, and politics feel urgent. It’s not just adventure—it’s a meditation on power, identity, and what it means to fight for freedom in a world determined to crush it. With Season 2 already greenlit for 2027 production, Netflix has a long-term hit on its hands.
Forget Gossip Girl—this is Ed Westwick at his most menacing. Forget light pirate fare—this is a sweeping, scar-leaving epic you won’t escape easily. Eight episodes drop you into a world of pirates, politics, and quiet obsession. One viewing turns into a full binge, and you won’t regret a single moment.
