Caroline Jones has always approached her music with an entrepreneurial spirit and unapologetic authenticity, qualities that have propelled her from a determined young songwriter in Nashville to a multi-instrumentalist powerhouse touring with legends and now standing as the first female member of the GRAMMY-winning Zac Brown Band. At 35, the singer-songwriter, multi-instrumentalist, and new mother has released her most personal project yet: the 14-track studio album Good Omen, which dropped on February 13, 2026. Far from a mere collection of songs, this record serves as a profound reflection of transformationโspecifically, the seismic shift that came with welcoming her son, Declan, in November 2023. In an exclusive interview with PEOPLE, Jones opened up about how motherhood didn’t sideline her ambitions but instead sharpened them, infusing her artistry with raw honesty, deeper empathy, and a resilience she never knew she possessed. As she launches her 20-date headlining Good Omen Tour starting February 17 in Nashville, Jones stands at the intersection of personal evolution and professional triumph, proving that the most powerful chapters often emerge from life’s biggest changes.
Born Caroline Dorothy Jones in New York City to parents Sonia and Paul Tudor Jones, she grew up in an environment far removed from the twang of country music. Her early years were shaped by the energy of the Big Apple, where she attended an arts high school after moving in with her grandmother. This urban foundation gave way to a pivotal decision: pursuing music seriously. Rejecting traditional management offers as a teenager, Jones took an unconventional path, booking her own shows at schools rather than bars, honing her craft through sheer determination. After graduating from New York University, she made the move to Nashville, a city that immediately felt like home. There, she immersed herself in songwriting, building a reputation as a skilled musician who could play most instruments and produce her own work.
Her breakthrough came with her debut album, Bare Feet, released in August 2017. Co-produced with industry veteran Ric Wake (known for his work with Mariah Carey, Celine Dion, and Whitney Houston), the project showcased her as a self-reliant artist who wrote and performed much of the material herself. The laid-back, sun-soaked vibesโpartly influenced by her eventual relocation to Floridaโcaught the ear of coastal icon Jimmy Buffett. Touring with Buffett became a mentorship that profoundly shaped her, teaching her the value of authenticity and grit in an industry that demands both. “Jimmyโs mentorship and support has made me the artist and person I am,” she later reflected, crediting him with instilling confidence that carried her through high-profile openings for Kenny Chesney, the Eagles, Faith Hill, and Tim McGraw.
Her sophomore album, Antipodes, arrived in November 2021 and marked another milestone. Debuting at No. 4 on the iTunes Country Chart, it featured the lead single “Come In (But Donโt Make Yourself Comfortable),” which became her first Top 30 country hit. The track’s success was amplified by a viral TikTok line dance that amassed over 500 million plays, demonstrating Jones’ knack for blending traditional country with modern, shareable appeal. Rolling Stone praised her as “an ambitious, entrepreneurial guitar heroine primed to bring back the pop-country glory of the Nineties,” a nod to her multi-genre versatility and independent ethos. Appearances on The Tonight Show, The Kelly Clarkson Show, and TODAY, plus multiple Grand Ole Opry performances, solidified her rising status.
Then came 2022: a game-changing phone call from Zac Brown himself. What started as an invitation to join the road evolved into an official position as the first and only female member of the multi-platinum, GRAMMY-winning Zac Brown Band. This role allowed Jones to contribute her multi-instrumental talents to one of country’s most beloved acts while continuing her solo pursuitsโa delicate balance that showcased her adaptability. Touring with the band exposed her to massive arenas and dedicated fanbases, further honing her stage presence and songwriting.
But the arrival of motherhood in late 2023 redefined everything. Jones and her husband, Nick Danaโa sailor whose life of deployments and adventure mirrors the unpredictability of the music worldโwelcomed their son, Declan. The birth was a joyous yet transformative event, one Jones describes as “the most intimate meeting of yourself.” In the PEOPLE exclusive, she shared how becoming a mom “unlocks a bunch of gears in your heart and your resilience and your soul.” Suddenly, the woman who had built her identity around relentless career drive found herself reevaluating priorities. “It used to be more of my identity,” she said of her music career. “Now I look at it much more as like, what can I add? What are my talents? What’s bringing me joy? What do I want my son to grow up seeing his mom?”
This perspective shift permeates Good Omen. The album is her rawest and most honest to date, tackling “meaty subjects” she previously lacked the courage or emotional depth to explore. Tracks like “Divorce in a Small Town” stand out for their vulnerability. Inspired by friends’ experiences and her own fears, the song delves into the anxieties of modern divorceโparticularly how it ripples through familiesโand Jones’ personal worries about her career taking a backseat to motherhood. “It’s really vulnerable in the verses about a lot of the fears that I had about my career taking a backseat to motherhood and how to navigate motherhood with this kind of career that I’ve been working towards my entire life,” she explained.
Other highlights include “All The Things,” a heartfelt anthem released earlier as a single in October 2025. Co-written with Emily Weisband, Liz Rose, and Brandon Hood, it celebrates the strength of working parents and the support systems that make juggling dreams possible. Jones called it “the most reflective of the past year and a half of my life, and touring with a new baby. Itโs my story in three minutes.” The track honors the “tribe” behind herโhusband Nick, family, and bandmatesโwho enabled her to pour heart into both motherhood and music. Touring with an infant brought equal parts chaos and beauty: breastfeeding challenges, sleepless nights in hotel rooms, and Declanโs first croissant in Quebec. Yet these experiences fueled creativity, turning exhaustion into empathetic songwriting.
Jones addresses the broader generational confusion many women face: “Motherhood is a huge investment and choice, and it is a huge responsibility and a weighty one… A lot of women of our generation are kind of confused because we have so many more freedoms than any other generation of women has ever had… It can be paralyzing. Like, ‘Okay, well what do I do? Do I have a kick ass boss lady career? Do I have a family? Do I try to balance both? Where’s my husband?'” She advocates rejecting any singular “recipe,” instead forging a personal path. Surprisingly, motherhood made her feel “much more myself now than I ever did before,” despite moments of feeling like she was “losing yourself a little bit.” It forced her to show up authentically in every role, deepening her self-awareness.
The album’s title, Good Omen, reflects this optimism. Amid fears and uncertainties, Jones sees signs of positive changeโher son’s arrival as the ultimate good omen for her life and art. Songs like “Storm Chaser” (a nod to her earlier work) and others explore resilience, love, and forward momentum. With 14 tracks clocking in at around 41 minutes, the project blends her signature foot-stomping energy with introspective ballads, showcasing growth from Bare Feet and Antipodes.
As the Good Omen Tour kicks off, Jones brings this evolved perspective to the stage. The 20-date run promises intimate venues where fans can experience the album’s emotional depth live. It’s a celebration not just of new music but of a woman who has integrated motherhood into her artistry without compromise. Touring with Declan in tow during his first year taught her that balance isn’t perfectโit’s intentional. “Baby with you, I can do all the things,” she sings in one track, a mantra that resonates with working moms everywhere.
Caroline Jones’ journeyโfrom New York streets to Nashville stages, from solo trailblazer to Zac Brown Band member, and now to devoted motherโillustrates the power of evolution. Good Omen isn’t merely an album; it’s a declaration that personal milestones can amplify creative ones. In an industry that often pits ambition against family, Jones defies the binary, emerging more resilient, empathetic, and inspired. As she performs night after night, guitar in hand and son in her heart, she invites listeners to embrace their own transformations. The road ahead is filled with promise, and for Caroline Jones, every note now carries the weightโand joyโof a life fully lived.
